GuitarMx speaks today about “Chickenfoot” project and that is what started me…

If you are not familiar with Chickenfoot, well, let’s say that it’s going to be a 4 stars band, and I don’t mean like 4 out of 5 possible stars. I am referring to the fact that Joe Satriani will be playing the guitar, Sammy Hagar, former Van Halen bassist Michael Anthony and Red Hot Chili Peppers drummer Chad Smith will complete the band. Of course, each of you may see it from an other angle, but me, I look at it from the point of view of the guitar player: Satriani will be there.

OK, now I ask myself if this project will actually become a real band or it will be just a fun thing to do while on holiday. If I well remember, Red Hot Chili Peppers took a 1 year holiday, by the way…

They say that the sound is close to early Zeppelin, not quite my music, if you know what I mean, but frankly it will be fun to listen Satch and his airspace guitar playing Zeppelin-like music, it’s something totally different than what Satriani used us to listen.

I think it will make a very interesting experiment, considering Satriani never-ending quest for out-of-this-world sound. It will be interesting to put this new record they will produce (seems they will go in the studio now) next to Satriani’s digital Engines of Creation, I guess we won’t even find common grounds for comparing them.

I ask myself, will we recognize Satriani on this record? Satriani has one of the most recognizable guitar sound and way of playing in this world but this is exactly because he adopted this futuristic music. Early Zeppelin music means 68-75(?), let’s say, and this is not an era where Satriani’s music will fit…

But I am sure it will be a great experiment and I am looking forward to listening it, since no matter what it will be close to, the value of these people got together for an album is a guarantee for some good songs.

What’s your opinion on this one?

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This morning, GuitarMX blog features a video about how to play Pantera’s song Walk. While the video is great and you can actually learn the riffs there, the subject of this post is about what Dennis Hodges, the instructor teaching the song, said about the tuning Dimebag Darrell used for that song and for the whole album actually.

As Dennis Hodges says, Dimebag Darrell and the bass player started at one moment to tune the guitars down a quarter of a step! However, for this very song they are also tuned down a full step so in order to correctly play the song along with the tape, you need to tune your guitar down 1 step and a quarter! Damn!

While tuning it down one full step does not intrigue me, there are various reasons for which they would do it, from heavier sounds to putting less pressure on the lead singer, I am intrigued by that quarter of a step! Imagine you need to tune your guitar so your low E string is right between D# and E! Now, why would they do such thing?

What could be the reason for this? Somebody put some light on this for me, please!

By the way, I dare you tune your guitar this way without using an electronic guitar tuner! Ha!

Also, if you watch the video on GuitarMx site, pay attention at the end of it how the guy in the video uses his fingers to go from a G to a G#. I just noticed it because I didn’t understand at first why is he playing that way…He uses fingers 1 and 3 for the G chord and right next to it 2 and 4 for the G# chord. I would have gone forward half a step but his chords make an interesting moment to watch and talk about!

Buy from Amazon:
Razorback Dimebag Classic Black w/case
Cowboys from Hell
Vulgar Display of Power

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One of the things that I really think about for a long time is what skills a performing artist needs on stage and I am not speaking here about musical skills, studies, licks or tricks …

Be an entertainer

What I speak here about is social skills, that quality that separates a singer, a guitar player, a musician from a real performing entertainer (in the good sense of the word). And before jumping to slap me because you didn’t study long years how to play the guitar just to entertain people, think about it for a moment.

Entertaining people does not mean necessarily making them laugh, OK? It means making people feel good at your shows, no matter you are Sepultura, Iron Maiden or Shakira. Think about Manowar and the motorcycles they use in some of their shows when going on stage, think about ACDC and Angus Young’s almost trademarked jump.

I know that some of you may think that music is what really matters, not acting foolish on stage, but in my opinion that matters also. It matters because it is part of THE SHOW, it is part of the whole thing going on there.

We have here a band where the lead singer is also an actor. It helps. It really helps. The guy does not have the best voice, he has range, OK, has a particular sound of his voice that differentiate him, has good songs, but he often sings flat on stage, loses his air and he really couldn’t care less because what he does on stage is not singing, is acting, is performing, is entertaining the audience.

What makes them different is, beside the songs, the fact that they seem to live every moment on stage and the public feels it very well…I have paid some thinking about this since we don’t have this on stage every time and we should really invest some time in this.

Teaming the beast

Also, speaking about social skills, I guess one of those skills you really need (at least at first) is the capacity to overcome unpleasant moments.

I remember one interview of two famous Romanian stand-up comics performing together. They were explaining how in one of their shows, in a club, some guy from the public started to make fun of them and didn’t want to stop. At one moment, one of the artists kind of blocked not knowing how to answer to what the guy from the audience was screaming at them, moment when the other comic, with over 20 years experience in this, decided to answer back and shut the mouth of the poor bastard in everybody’s laughing. Call it experience, but it is also part of those social skills you need on stage.

At one moment we had such a show where it was a mixed audience, rock and hip hop (small town, not that many bands, make a show, call everyone there. Bad idea!). At one moment hip hop fans started to throw things on stage at rock bands. Hip hop fans are not hard rock fans and will probably never be…well…

The reason that started this post is a video with Paul Gilbers and a stage “moment” he handled great! Take a look and let me know what you think!

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A very interesting thing I didn’t know about: the Xavian scale, Steve Vai’s “own” scale. Well, did you know about that? A very interesting topic that I have never thought about. Really, it shows you how deeply involved in his music Steve Vai really is.

For me, all those scales out there contains some of the same 12 notes in a “standard” chromatic scale and honestly I have never thought about another way of dividing the space between 2 octaves. Well, I guess somebody else did…

Think about taking this available “space” and divide it in another number of equal intervals, not in 12 as we commonly know. Divide it in 10 spaces, or in 8, or in 9, or in 20 spaces…whatever… The result? Well, you could name it “another chromatic scale”, I guess. This is exactly what Steve Vai did: took this space and divided it in 16 equal spaces and then, by experimenting a lot, he took 10 notes out of 16 and built his “own scale”, Xavian. Speaking about playing like Steve Vai…

Of course, you won’t be able to do this with a regular guitar, no matter how good you are, since it is not built for this. Vai couldn’t do it either so he asked Steve Ripley to build such a 16 intervals guitar for him. He also has a 24 intervals guitar…

Seems that Deep down into the pain song is the only record where he actually used the Xavian scale. Listen closely the end of the song. I know that Steve Vai uses strange modes all over his music, but his own scale with notes outside the known Universe, man, that’s weird…

What do you think about this? Read more about this here and come back and comment, I would like to know your thoughts on this!!

Stumble and Digg this!

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One of the things I deeply admire at great guitar players and great musicians in general is the capacity to express so many nuances in their music in a few simple notes and it has always been a dare and a constant quest for me to express this.

The reason that started this post is actually Dream Theater. I really love their song “Another day” and each time I listen it I find myself charmed by all those nuances there…Listen for example the starting riffs, 3 simple notes or the solo guitar theme/intro or even the drums!

Now that I have started this, I think that if I would need to define Dream Theater in one single word, that would be NUANCES, nuances all over. This is actually the result of their musical studies at Berklee School of Music, result of theory and practice, I’d say, and I guess that even if you are not a big fan of progressive rock you agree with me that no other rock band can be represented by this word better than Dream Theater: nuances…

Here’s Another day for you! Enjoy and comment!

Am I right or what?

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A quick and funny one, from Guitarist.co.uk site:

New AC/DC album to weigh in with a whopping 15 tracks

The wheels on the chariot of the gods of rock are finally turning again…
AC/DC have confirmed that the title of their new album will be Black Ice as widely rumoured, with the first single being Runaway Train.
Reports that one of the songs includes an F minor chord cannot be confirmed at this time.

What?! Reports that one of the songs includes an F minor chord cannot be confirmed at this time!!

Really, I am also interested to find out about the album, but about the fact that hey, listen…ONE OF THE SONGS INCLUDES AN F MINOR CHORD!! Man, this is mad!

I don’t know, maybe I am not THAT familiar with ACDC’s chord choices,but is this something out of the ordinary with Angus Young or what?

Their albums have never included a minor chord so far, or what?

I think that’s a news for the really eager fan! Man…

PS: That article is not against Guitarist.co.uk site, in any way, I really like the site and I read it often, but I just found the news hilarous and I just had to point this here! Man…

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At last rehearsal with the band we decided to cover Don’t cry from GNR, after all, it must be pretty easy, we all like GNR and this it’s a song we sing and play since high school, we know it by default, right? Eh, when listening the song I was surprised by a few nice progressions there, that I didn’t expect, that helped the song a lot. But that’s not the subject of this post.

The subject is actually the guitar solo or the guitar behind the solo, to be more exact. I didn’t pay too much attention in the beginning to the chords behind the solo, presuming they go by some repetitive chords like the chorus for ex. How wrong I could be!

After working this part with they guys in my band, I could say that my impression is that the solo was created first, and then they created a backup track to support the solo, which is totally strange from my point of view. I say this because the chords under the solo don’t follow any pattern, the length of a particular chord depends on the particular passage the solo plays and not the other way around.

My way of soloing is to actually improvise over a common pattern in the song, like the chorus or some intro, f.e. and I have never written a solo that I needed to back up later. I have some passages in particular songs that I needed to explain to my band mate playing the other guitar when he joined the band and I did need to find chords to match a particular progression but I was the only guitar player in the band at that moment and the only melodic backup was the bass line, which can be pretty free; I think this does not apply to GNR since Slash was never the only player there, isn’t it? Then?

My opinion is that Slash worked the solo without the second guitar player, in a free way, making the solo sound nice and then they searched for some backup chords to match the solo.

Listen here and tell me your call on this.

PS: When embedding this video here I was totally charmed by this song and listened every note of it until the end, totally forgetting I have this post under editing!!

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I guess today I am in an acoustic mood, who knows, I have watched a few videos on YT with live performances with just a guitar and a voice and I have decided to post here a video of Avril Lavigne live.

The reason for which I post this video here is that I really liked how the rhythm goes on guitar and how they both managed to transmit energy and freshness with only one guitar, no drums, no bass. I like how the guitar player plays the fast rhythm passages on acoustic guitar. If you would have asked me I would have said that punk needs electric guitars. Well, how about it, works great with only a voice and an acoustic guitar if you have the right artist.

How do you find it?

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WILLIE’s LARGEST U.S. BOX SET EVER – HIT SINGLES, RARITIES AND TRACKS FROM 60 ALBUMS ON A DOZEN DIFFERENT RECORD LABELS

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Patience was the song that really turned me to rock music and I have always thought the sound there is the most you can get from an acoustic guitar.

The sound is so clean and warm that nothing can beat it and the fact there are no drums there gave me the feeling of being closer to the song, like the song was recorded by a few guys playing the guitar for fun, like we used to do at one party or another…

Now I have discovered on YT this version of Patience played by Velvet Revolver and even if they didn’t change that much to it, the new voice makes it sound different while keeping the rest of it makes it sound the same. New and still the same, does it make any sense to you?

How do you like this version? Did you know it?

PS: Listen closely, did one of the guitar players played a flat note on 1:21 or is it just me?! I love those moments!!

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