
Hello again, my dear online friends! I am back from my sunny holiday and back to my computer! I must admit I don’t know if I will find it easy to come back to the same rhythm as before since sun, sand, water and beer can really take you out of writing shape! I will probably need a few days to come back to the same rhythm as before. So…
I had a very relaxing holiday, a lot of days spent without doing anything else than relaxing, drinking beer on the beach, swimming and meeting friends (we’ve met 2 of my cousins who also spent their holiday there so we had company for a lot of days and a lot of beers)
At one moment we decided to cross the border and take a trip to Bulgaria, a bit fearful, to be honest since Bulgarian police has not the best reputation around. I payed extra attention to traffic signs and speed limits and it was OK. We spent one full day at their Golden Sands resort where prices were the same as in Romania. only that there were a lot of foreigners, a lot of Italians IMO, the beach was tidier and more animated.
In one word, I like it there and decided to go back for a full holiday at one moment. However, 2 observations from Bulgaria:


When coming back in the evening, I had to admit that we(Romanians) should be a bit more careful with cleaning our beaches, but hey, that’s the Latin spirit I guess, compared to Slavic spirit of our neighbors. As for the rest, if I compare the wild cars I have seen in Mamaia(Romania), I have never seen them anywhere else. My brother in law was absolutely crazy when he saw some latest moment cars, like BMW X6 or latest Mercedes or Aston Martin. Well, nobody said there are no rich people in Romania, right? We could also judge by the yachts, if we think about, we visited the marina in the last day there, for fun.


At the end of this trip, I just want to make a few notes regarding my blog here:
That’s about it for today, a pretty long post but hey, the man is back to business!! So stay close!
I remember one day I stumbled upon IG’s blog on the internet and I was just amazed of how well the audience followed his blog. I couldn’t stop asking myself why this was happening, especially since I was on my own quest of building an audience for myself, so I subscribed to his feeds to see why. Soon, I have understood it and ever since I read his blog almost every single day. Now, because I am away, he was very kind to lend me a hand here. So, without any more words, I give you IG!
Howdy Guitar Flame readers. This is IG here, of IG BLOG, guest posting for Ovidiu. Thanks for having me!
Lately, I’ve been thinking about the serious need for guitar teachers.
Consider this: The last time the U.S. instrument industry reported sales results, sales of acoustic guitars in the $350 price range decreased by almost 15 percent from the previous year. Sales of electric guitars in the same price point declined by 24 percent from previous record levels. That’s almost one third.
Why am I talking about cheap guitars? Because that’s the kind of guitar that is typically purchased by the first-time guitar player, the newbie. This group of folks is the new generation, the ones who will continue the tradition of guitar playing. And the numbers suggest they are not very happy right now.
Why not?
A recent American Music Conference survey on music-making asked people to list the barriers that kept them from taking up a musical instrument.” The top response was “inability to find a good teacher,” which rated well ahead of “lack of time,” “it’s too hard to learn,” “can’t afford an instrument,” and “don’t have enough talent.”
Access to decent guitar instruction is critical for those who want to play guitar and are looking to take the next step to act on their dream.
And the weird thing is that the guitar industry is not doing anything about this. I remember the music shop close to my house when I was a guitar hungry teenager. Although I didn’t quite realize at the time, the guitar lessons I took at the shop were critical for me to stick with guitar. But, over the past decade, thousands of similar independent shops that offered lessons have shut down, mainly due to instrument sales competition from Guitar Center and internet retailers.
And this is the nail in the coffin right here: You Google “guitar teacher” and the city of your choice, and you’re likely to get an endless list of online teaching methods that don’t relate at all to the frame of mind of a beginner. Because there is no substitute for the living and breathing guitar teacher when it comes to going from “I just bought my first guitar” to “I can play a cool three-chord song.”
A three-chord song.
Teach a beginner a three chord song, and you’ve just build his or her interest to play guitar for a really long time. There are hundreds of thousands guitar players capable of teaching three-chord songs and inspiring a lifetime of playing. But, somehow, I just don’t see our current guitar selling infrastructure connecting these guitar leaders with the newbies.
IG BLOG (guitar – life) dishes out inspiration and ideas to guitar players everywhere
I’ve just sent my newly purchased Variax guitar to the company that sold it to me for fixing it since I couldn’t make it start again since that single hour of playing/testing it. I expect it to return in perfect condition, in a couple of days, ready to rock!
On the other hand tonight I will leave for one week to the seaside where I am going to stay away from everything that means work. Well, not everything since I will take my laptop with me for reading emails and maybe answering a few comments here and hopefully I will be able to post once in a while an article or two, when time (OK, my wife) will allow me get close to my computer!!!
So, I don’t know how well I will be able to keep the rhythm of posting new articles, but hey, everybody needs rest once in a while! And I hope by the end of my one week holiday my guitar will be ready and willing…
And since the weekend is here and I will not be present to entertain you, please take a bit of time to enter the competition for winning the most recent 4 CDs collection of Willie Nelson, One Hell of A Ride, read again the article that generated the highest number of visitors in one day and ever on this site, the funny top 10 list for a successful power metal band, read the article and watch the movie that generated the highest number of Diggs, over 100 diggs WITHOUT REACHING THE FIRST PAGE ON DIGG!!! By the way, why don’t you digg it, maybe a few diggs more could make it move even if so much passed since that moment!
And also, why don’t you read my reports on how my site traffic went so far. Here’s the 5th report since I couldn’t manage to write the 6th and last report (but I promise I will one of those days). This 5th report will lead you to the rest of the reports too.
By the way, the picture in this post is from Mamaia resort, here in Romania where I am heading to this very night, the most expensive resort on Romanian seaside where rich people pay up to $15.000 for a bottle of champagne at whild night parties…Don’t ask…
So without any more words, I wish myself a happy holiday and a lot of sun and good weather! Thank you!
Talk to you again from the seaside later! Bye!
WILLIE’s LARGEST U.S. BOX SET EVER – HIT SINGLES, RARITIES AND TRACKS FROM 60 ALBUMS ON A DOZEN DIFFERENT RECORD LABELS

Personal favorites range from four historic local Texas singles (1954/55 to 1960) to dozens of studio & live career touchstones, including collaborations with Waylon Jennings, Leon Russell, Roger Miller, Ray Price, Ray Charles, Merle Haggard, Webb Pierce, Julio Iglesias, Faron Young, Hank Snow, Highwaymen (Waylon, Johnny Cash, Kristofferson), Lee Ann Womack, and more!
100-page full-color booklet with introductory essay by Mickey Raphael, and 8,000-word biographical liner notes essay by Texas journalist Joe Nick Patoski!! (read the full story here, PDF file)
All these could be YOURS!
All you have to do to enter this contest is to comment on this post providing a valid email address and a name!
On 30 August one person out of all of you commenting on this post will be awarded with the Willie Nelson’s 4 CD collection, One Hell Of A Ride.
The winner will be announced by email!
So, gentlemen, start your engines this very moment!
For more information on Willie Nelson and Legacy Recordings see this link here https://www.legacyrecordings.com/
Note: What I am going to write here should not be considered a review. It is not since you need more time in order to write a review. These are just my practical observations on playing MY new Line 6 Variax 600 guitar. I don’t want to say that all Variax guitars behave the same, because frankly I don’t believe so. This is not a review of how it feels, I will not say here if the sound of Gibson models is close to the real Gibson model or anything like this, this is not the reason for this post. I started as a fan of Variax possibilities, I truly believe this is the way to go in the future and I do support this as much as possible. Read on…
Later edit: please read until the end because of a last moment phone call.
So, yesterday evening I have received my new guitar, a beautiful Variax 600, blue. I can tell you I have waited almost 3 weeks for this guitar to come here from UK so I didn’t have the chance to test it, I saw this particular guitar for the first time when I opened the box.
I opened it, took the guitar out, I am sorry I didn’t make a movie out of it, it should have been interesting, but I had no camera and no patience to wait anymore. The guitar is nice, I love the finish on the neck, natural wood color, I had no problems with the quality of details, playability, or general feeling of “cheap” as I have seen some people saying on the internet. Nothing in this direction, but hey, I get excited pretty fast and a new guitar can blind you in the first days from that point of view, right?
So, let’s test it to the rehearsal room!!
I plugged everything together, as you probably know if you are familiar with Variax guitars, you need 2 input lines in the PA, a guitar input, as usual, and a voice input, for the acoustic guitars. There is a foot switch that makes the…switch between the two lines. Done! Let’s see the baby in action!
First, a jazzbox model, because it was set there. I started to pick a few notes…surprise! I was picking a straight D major chord and the notes were…well, how to put it, not right! The notes on the G string sounded like having some kind of flanger or rotary effect, like in a wave, coming to me and then disappearing back! WTF?! I switched to an other model, then to an other one, then to an other one…
General result?
The Spank models, meaning the Stratocaster emulations, on all positions had big issues with G string from 2 points of view:
Gibson models gave me a beautiful sound for distortion, I was quite happy with how my guitar sounded on Gibson models through my BOSS processor…except at one moment when I had the sudden impression that I was tuned to some radio station, since my guitar suddenly started to make a hum-buzz-radio-like sound that scared me since the volume was high on the PA.
At one moment I had the surprise to see that a string just disappeared from the mix…it was not there anymore, WTF?!! As I have understood from somebody from the internet having similar problems, switch to an other guitar and then back to it. OK, I did and the string was there. That sounded too much like a reset on a computer. I know this guitar is a computer but come on…
On a 12 string guitar, the low G note on low E string was way too powerful, IMO, produced a strange resonance. Now, I can not be sure if this was real or just an impression caused by the particular room conditions, because the 12 string is produced by kind of an octaver or something. Now, this low G note may have been resonating with somebody else in the room, like the speaker or drums, or who knows, I can not tell for sure but the impression was that playing a F, G, A sequence, the G was louder and that was not good.
I had the impression of a strange behind-the-note effect in some cases, again on G string mostly, like picking the G string, hearing the clean G note and then behind it a long distorted but very low volume tail, like a low volume distortion. Strange. I can not tell you on what guitar because I have stopped looking at the models and focused more on how the particular notes sounded. Like I have never done with any other guitar, I have started to take every single fret and play it in order to see if sounds strange on some notes…
I also experience a strange noise on an acoustic model that was set on custom bank, so I just switched to custom bank and started to hear a noise like when the cable is broken and you move it around to have the two pieces in contact.
At that moment I was already mad with the fact that the guitar was not what I expected but what happened after this really put an end to it: I tried to save a model on the cutom bank following their procedure described in the book and that was the end of it, after this I wasn’t able to start the guitar anymore, nothing made any noise anymore, the guitar was dead!
I unplugged everything and called the guys at the company that sold me the guitar decided to ask my money back since I needed a reliable guitar, not a toy, but there was nobody there at that moment.
I called Silviu, my friend who owns one and told him about my experience with it and he somehow convinced me to give it another chance and have it fixed or replaced by the company instead of asking the money back. Also, I experienced a loud noise when pressing the foot switch and I was also mad at it because it can not be used on stage like this, imagine hearing a shot amplified as loud as possible every time you switch your guitar from acoustic to electric. He explained me, however, that this is normal and not a bug, you just need to turn of Phantom power on your mic line. Well, good to know…
I am going to call again the guys from the company to see how I can fix this and keep you posted.I expect a good feedback from the guys who sold me the guitar, I hope for the best and I hope to end up with a good, reliable guitar that can be played on stage.
By the way, I have also attached a few pictures with the guitar and yours truly!










Later edit: I have managed to get the guys on the phone and they told me to cool down cause there is no problem, the guitar is actually a computer (of course) and needs a bit of “tuning” using their Workbench software so I should get back to them with the guitar, they will connect it to their computer and “re-tune” it, kind of how they do it with your car computer, when something goes wrong. Strange, very strange, but efficient, if it works. So, I am happy with this solution and probably tomorrow I will take a day off to go to Bucharest to tune my guitar. Damn!
Due to the buzz my post of a few days ago about Tiago Della Vega generated and the discussions about this guy lacking other skills but speed, I have decided to show a video I have found on YT with him playing a slow instrumental song, Isabella.
The fact is that I was a bit surprised about him not jumping right from the start to those fast phrases, I guess I had a predefined idea that this is all that this guy, Tiago Della Vega, is, a fast player. But he also has nice phrasing, a good tone and a beautiful song structure, so without any other words, I give you Isabella and Tiago Della Vega, the fastest guitar player in the world, 2008 playing a slow song.
I ask myself if it isn’t boring for him to hold a long note…hmm
There is this little game I like to play when I have idle moments (like when waiting in the car, waiting for food at the restaurant, you get the point). I like to listen the song that is on the radio, CD, etc and figure out the tonality, chords, etc.
It is a game of ear training and of course it doesn’t work all the time, but if you start paying attention you will see that you start recognizing particular phrases, particular chord progressions that you have previously heard in other songs that you have already played.
It is a fun and useful game to play and I found myself “playing it” a lot of times and I can not tell you the satisfaction when you figure out a sequence.
I had the idea of this post after listening this morning a song that had a pretty straight forward chorus that I instantly recognize, helped also by the chord at the end which makes an unmistakable mark: Dm, Am , E, Am A7. Now I can’t be sure it was Am as tonality, maybe they played it in Gm or in Bm, or in Em, who knows, but the sequence was unmistakable.
An other interesting game to play is to think of you playing particular note sequences on the guitar and try to “hear” those notes, or the other way around, to take a slow(stick to slow!) sequence and try to think of those notes on the guitar neck; you will see that if you have let’s say a D, C, Bb (note) sequence and you “see” it on the guitar neck as a D, C, B, you will instantly fell something it is not right there, your musical sense will let you know you are not right.
These are two interesting games to play for the moments you don’t have the guitar with you!
Try them and you will see how fun they are, especially the first one with figuring out the chords. OK, and another one: stay away from jazz if you are not very good at it
Anybody else playing such “games”?
Patience was the song that really turned me to rock music and I have always thought the sound there is the most you can get from an acoustic guitar.
The sound is so clean and warm that nothing can beat it and the fact there are no drums there gave me the feeling of being closer to the song, like the song was recorded by a few guys playing the guitar for fun, like we used to do at one party or another…
Now I have discovered on YT this version of Patience played by Velvet Revolver and even if they didn’t change that much to it, the new voice makes it sound different while keeping the rest of it makes it sound the same. New and still the same, does it make any sense to you?
How do you like this version? Did you know it?
PS: Listen closely, did one of the guitar players played a flat note on 1:21 or is it just me?! I love those moments!!
Today I have received this pres release by mail and I think it would make a news of maximum interest for guitar fans all over the world: legendary guitar builder Dean Zelinsky, founder of Dean Guitars exits Dean guitars.
I will publish the press release in the form I have received it:
LEGENDARY GUITAR BUILDER DEAN ZELINSKY EXITS DEAN GUITARS
CHICAGO, IL-July 22, 2008 - Dean Zelinsky, founder of Dean Guitars, announced today that he has parted ways with the company that he founded in 1976, which still bears his name.
Having sold Dean Guitars in 1991, Zelinsky played an integral part in the brand’s recent resurgence in popularity, effectively putting Dean Guitars back in the limelight after becoming re-affiliated with the company in 2000, during the tenure of its recent owners.
Zelinsky, discussing his not yet announced new venture, stated today, “I wanted to get back to what put Dean on the map originally — building high-quality instruments that shape both the image and tone of guitar players, from the beginner to world-class professionals.” Regarding Dean Guitars, Zelinsky says, “I can no longer attach my name to the reputation, quality and direction of Dean Guitars or its current objectives.”
Zelinsky stated the announcement with details of his new venture will be released on Tuesday, August 26, 2008.
About Dean B. Zelinsky:
Zelinsky is a pioneer in the custom high-end guitar market, and is legendary for creating stage-worthy electric instruments that have exceeded professional players’ expectations since he founded the original company in 1976. His innovative designs have been embraced by rock and roll’s top artists spanning three decades. The spinning fur ZZ Top guitars made music video history in the ’80s along with the “ML” design, which became as much of a part of “Dimebag” Darrell Abbott as his crushing riffs and gregarious
persona and which remains a heavy metal standard today.The roster of world-class guitarists who have relied on Dean’s craftsmanship and creativity have included the following: “Dimebag” Darrell Abbott (Pantera, DamagePlan), Dave Mustaine (Megadeth), Leslie West (Mountain), Michael Schenker, Billy Gibbons and Dusty Hill (ZZ Top), Trent Rezner (Nine Inch Nails), Jerry Cantrell, Elliot Easton and Rik Ocasek (The Cars), Rik Emmett (Triumph), Iron Maiden, Def Leppard, Sammy Hagar, Kerry Livgren (Kansas), the Doobie Brothers, Nancy Wilson (Heart) and many more.
Denise Dorman
WriteBrain Media
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Could this be the end of an era? Will Dean guitars change after the founder left the company? How do you think this will influence guitar businesses?
After the post about Tiago Della Vega (aka the fastest guitar player in the world, right?), I have looked some more on YouTube to find more videos about him or similar performances. Well, I did find a few, but I have decided to write about something else today and that is branding in online presence.
The fact is that I am not a marketing professional, I have not studied marketing in school but I have become more and more aware of it’s importance over the last years, no matter what’s your field.
I had this post about why marketing a band is so much like blogging, I suggest you read it if you haven’t done it already, and today I have found appropriate to cover this subject from a more “practical” point of view, being motivated by a new discovery on YT.
The idea is simple: make yourself seen, come with a particular something that will help people identify you. There are many good musicians out there, most of them playing very good, but not always become known. Why is that? Because they don’t have an unique presence that help people identify them. Maybe it freaks you out when you see Marilyn Manson or other artists like him, but that guy has an unique presence and that helped him position himself well on this crowded market.
The fact is that a little something can make the difference, and this is where I come to the reason that started of this post: a lot of people promote themselves on YouTube these days. A camera and a computer and you have just about everything you need, right? But there are so many (not-famous)people that play or sing on YouTube, how many do you actually remember once you close the browser’s window?
Fretkillr rules!
Let’s see, from my point of view: fretkillr. I love this guy’s music and channel, I subscribed to it. But why do I come back? How did I manage to remember him the first time? OK, he has a lovely acoustic guitar music, but did you notice the fact that all the time he films himself from a particular position where only the guitar is seen but not him?
Did you notice that nobody knows his real identity, who this guy is, what’s his name, etc. This created a particular cloud of mystery around him, causing interest and people speaking about him and coming back to him.
We have here in Romania an example of a band that started as a project/experiment, nobody knowing who these guys were, nobody knowing they were even from Romania, and this caused a wave of interest. The guys made their identity public only about 6-7 months after the project started to work. And what do you know? By coincidence, they guy is from my city and we used to know each other 10 years ago from recording in the same studio here. That’s marketing.
The kitchen concerts
Also, an other example, not that successful, but interesting from the point of view of creating a name/identity: concerts from the kitchen! Right! This guy films himself singing and playing the guitar from his kitchen, creating a series of clips gathered under the name “concerts from the kitchen”. I think he changes angles and environment a bit too much on his videos, but if he would keep his “thing” he may be easily remembered as “the guy who sings in the kitchen”. Not much, but it creates him an identity!
Here’s the guy:
Sandi Thom, the girl that lived her dream
And as a 3rd and final example, a girl that made it big, Sandi Thom, if I am not mistaken, started having daily concerts from her basement, streaming these shows live on her website. An unique point of view and the strange location and the internet made her big. That’s marketing, right?
Do you know any more artists with unique presence on YouTube?