It is vital to have the right technique when playing the guitar, there is no doubt about it. The question is what can you actually do with that technique? Or what is the best thing to do with that technique? Shred?

From my personal observation, I can tell you that the lately I am more and more interested in artists who achieved a high level of technical skills BUT DO A LOT TO AVOID OVERUSING the techniques they master. And here I think about Joe Satriani and, the reason of this particular post, John Petrucci.

It is great to master the guitar like nobody else, but think of showing those skills everywhere, everyday, on all your songs. Think Malmsteen, for example. Doesn’t get boring for the audience after a while? OK, I know, people know you for something and comes to your shows for that particular something, so you need to give the people what the came for, right? Bread and games, or how was the ancient Roman habit(more familiar to European readers) for keeping people under control?

But I do love a great artist who is a master of his instrument who comes up on stage and shows that he is looking for something more than showing skills and techniques, showing he’s looking for soul, for expression, to touch the hearts of audience, even if this means breaking new grounds, which the audience may not be quite used to do in the context of that particular artist.

Actually, I think that the true power of expression can only appear after you have conquered everything you can regarding your skills, when you know every note on the guitar neck and every possibility of expression, then, and only then, you can choose those notes that make the most of your song.

That’s where the soul begins…where virtuosity ends…

What do you think?

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I find via PRWeb that Joe Satriani is going to teach guitar on WorkshopLive.com website.

For the moment I couldn’t find this news on WorkshopLive.com site or on Joe Satriani’s website but sounds like a good idea. Sounds to me like a “give back” thing, a man who received so much from life, trying to return something to his fans. I like that.

Ok, Satriani is well known for his guitar teaching history due to the fact that he has such famous students, no need to count them again here, so this choice may have come natural if you think about it, considering he has experience in teaching guitar.

And with his reputation and fan base, I think WorkshopLive.com has done it this time!

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Speaking of iconic images, everybody is used to see Joe Satriani playing his signature Ibanez electric guitars, right?.

Well, how about this picture with Joe Satriani playing a Gibson Les Paul?

I must confess it came as a surprise to me since I have never thought about this.

Of course, as Jack Pribek(pribek.net) says, professional guitar players have more tricks in the bag, right?

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These last days, something keeps on running through my head: the most recognizable guitar sounds/tones (without really trying, I usually think about rock music, because this is my “business”, let’s say). Please keep in mind that I am not considering the style of each guitar player, but his tone only, even if when trying to identify a guitar player both are considered.

1. Brian May (Queen) ,the overdriven tone, has an electric guitar sound that in my opinion can be recognized in an instance. It is somehow a strange sound, and for sure I wouldn’t set my guitar this way, but it really defines him. I don’t think that his clean tone has anything special.
2. Slash (GNR), the overdriven and the clean tone. I am not a big fan of Slash, if you constantly read this blog you may already know this, but I really believe he belongs here. I think that the one thing that helps defining the tone of Slash is the fact that he is tuned one step down, thus using low tensioned guitar strings, which gives some kind of a “loose” and sweet relaxed sound. About the clean tone, I have asked myself what makes it particularly recognizable for ex in Don’t cry or Knocking on heavens door. I have added a delay on my rhythm clean picking tone and I was surprised to see how close I get to it when playing Knocking!
3. Joe Satriani’s overdriven and clean tone. How could you possibly miss Satriani? How could you miss the one that is called the master of tone?! Here I think that his Fred pickup (which gives him that beautiful feedback) helps a lot in getting the almost patented overdriven sound.
4. Metallica’s clean tone. Well, this is kind of funny! Metallica, which became famous for trash rock to be recognizable by the clean tone. Well, but for me, I think that the tone in One, Enter Sandman, Fade to black can never be mistaken!
5. Carlos Santana’s overdriven tone. In such cases it is difficult to say where recognizing the sound starts and where recognizing the licks end.  Santana’s style is unmistakable, but so is his guitar tone, in my opinion. And I know it is not rock, so don’t point your finger at me!

I would have said also Stevie Ray Vaughan, Mark Knopfler, Jimi Hendrix but I can’t tell where playing style ends to only speak about the sound. I think I would recognize a new Dire Straits song by the way Mark Knopfler plays, but I don’t know if only the guitar sound would be enough.

So, what’s your take on this?

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What really makes a guitar player? Is his unique playing style, along with his own sound?Is it creativity? OK, if I think about it, creativity helps defining the style. And sound also, so I think I can stick to this “style” thing. It is about being recognized (again marketing?!) out of the crowded space of guitar playing.

Let’s think for a bit and create an artificial environment where you put a guitar player in a closed box, so you can’t see him, don’t know who’s inside, give him all his equipment and let him create a piece of music.

Can you tell who the guitar player is just by listening the musical piece he created? If you can, you probably have a great name there, a guitar player that is sure of himself, with strong roots, a real “guitar hero”.

I think of a few that I would recognize in such a case:

• Joe Satriani - one of the most creative guitar players IMO, close to my heart since a long, long time. His own high tech guitar sounds and his unmistakable riffs put him there as one of the main guitar icons of the last 20 years
• Steve Vai - OK, maybe this time it is me not being that creative, probably you think that sure, this guy is some kind of Satriani fan, how could he not like Vai? And so it is, but this is not the reason I put Steve Vai here. Now really, can you have Steve Vai playing in that closed box and not recognize him? I think that those long-finger licks he patented make him sure of his place here.
• Slash - I don’t particularly find Slash to be such a great technician, but his fat Gibson sound and the way he always falls on his feet when soloing, plus his licks of a particular sweetness ask for a place here.
• Joe Perry of Aerosmith. Well, I can only think of the ending of songs such as Crazy, Crying and I could tell he’s in the box, no doubt about it.
• Frank Gambale. Here’s the fact that he started to study guitar by listening to keyboard players so his way of playing the guitar is quite unique. If you also count his personal method of fast picking and his upside-down scales, he’s there!
• Gary Moore - He’s got the blues, man!! I know I would recognize him in a moment. Wouldn’t you?
• Stevie Ray Vaughan- I would have put here also SRV from the start but after listening Andy Timmons playing “I remember Stevie” I was amazed by how he managed to catch that particular style of SRV. OK, I said above that each artist should play his own style, not try to sound like somebody else, so SRV should be put there also
• Brian May - no need to say more, he’s there.

Yngwee Malmsteen - no doubt, one of the most powerful influences for skilled players with his own sound and style. However I don’t add him here since too many guitar players copied him that you can not say anymore who’s ho nowadays. But if the list was made 20 years ago probably he would have been the first.

Who did I miss?

Later edit:

• Yngwee Malmsteen - for creating an unique style, neo-classic rock, even if so many followed him that today they assimilated his style that you can not tell the difference. Jon of GuitarNoize.com convinced me to add Yngwee.
• Jimi Hendrix - OK (still Jon)
• Paul Gilbert (Jon)
• B.B. King (Jon)
• Carlos Santana (thanks Pilgrim)
• Albert King (Pilgrim)
• Glenn Kaiser (Pilgrim but I don’t know him so…)
• Fank Zappa (thanks Dr J)

Anybody else?

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I was not a big fan of YouTube. To be honest, in the beginning I could not understand what is all the fuss about. Some people uploading their stupid videos with their dogs at the pool or some idiots drinking Cola while eating Mentos…

That was in the beginning. Now I heavily use YouTube for watching cool concerts, songs, videos and guitar lessons, I almost all the time find something interesting to watch there and my most important (like 95%) usage of YouTube is for music.

I have seen there a lot of wannabes, a lot of people trying to play the guitar like their idols, I have seen people trying and people failing and also some of them succeeding. But what really impressed me is this guy, Gustavo Guerra!

When I have first seen him on YouTube I couldn’t believe my eyes. Or ears. Really! He seems to be in absolute the same league as Satriani, Vai, Malmsteen, Gilbert, etc. He plays guitar with an amazing easiness and feeling, speed and technique. Using specific electric guitars for specific artists made him look more than cool and built him a brand image. He must have money and a lot of passion for electric guitars, since he owns custom models of famous artists, playing Satriani on Ibanez Joe Satriani models (I have counted about 3 of them, including the chromed model), Vai on JEM model, Malmsteen on his scalloped Fender, Eric Johnson on his model, damn, he seems to have them all, he must feel like a child in a toy store, really.

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Personally I consider a musician should be good in what he does from a technical point of view. I mean, if you put an electric guitar in the hand of a guitar player he should know his way around it. This is because I listen to bands that have skilled musicians. I like Joe Satriani, I like Vai and I like bands like Helloween, Dream Theater, Iron Maiden, Vanden Plas, etc and the music they play is sharp, clear, with elaborated musical phrases, with a lot of instruments and a lot of those speedy glitters that we all love.

But this is just a point of view. If you take Kurt Cobain for example and his almost famous out of tune notes and his proverbial lack of technical skills and judge him by this scale, then there would be have no place for him on stage, but if you judge by the fact that he was part of a movement that totally changed the music in only a few years then we should pay him the respect he deserves.

The only observation I could make here is that I am not convinced that Kurt Cobain was aware of his creative process, I just think that he did what he felt and it all probably came naturally to him, without thinking too much about it. I think that this is the essence of the music he made and of the feeling he transmitted. Actually if you think about it, the feeling is what really counts when you consider music such as Nirvana used to play. When you take a band such as Dream Theater there is so much you could appreciate so even if you find that a song doesn’t quite transmit a strong feeling you can always find some technical thing that makes you love it.

So, is Dream Theater better than Nirvana? Is Steve Vai better than Cobain?

I think there is no way to compare musicians. There is one for every one of us. That is what makes the music so beautiful, the fact that you find at any moment something that moves you, depending on your mood. Do you think that Joey DeMaio, the bass player of Manowar, well known for his passion for “true metal” and his disrespect for
”posers” doesn’t listen blues? My personal opinion is that he also has his moments when Steve Ray Vaughan or BB King put him in that state where nothing else counts but blues.

I posted this because I had a discussion with a friend of mine some time ago about a band here, Vama (Veche) is called, and about the lead singer which is an actor before being a singer. Or is he a singer before being an actor? Well, personally I think that exactly this duality gives him the possibility to express himself the best on stage; he has the potential and the training to express a large scale of feelings and this makes it easy to communicate with the public even if sometimes he can not control his voice very well.

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If you think about it, I don’t think that any other musical instrument influenced the 20th century more than electric guitars. I think that electric guitars are to the last century what piano and the rest of the historically related instruments were for their time. Of course that if you think about Mozart, Beethoven, they used to compose their music on piano, or how you called it back then. I am sure that if they would have lived today, they would have given a great importance to electric guitars and probably they would have been rock stars. I am not joking, I mean what I say!

Think about Steve Vai, Satriani or Yngwie Malmsteen, gods of electric guitars, right? I have the conviction that born under an other star, a few hundred years ago, their names would have been listed near Mozart’s name and Bach’s name. Today, electric guitars are what drive the rock, blues, country music scene the same way as piano did some time ago.

Will electric guitars gods be remembered a few hundred years later?

Well, this is a really good question, and most of all, difficult to answer because we don’t have a way to compare what is going on with the music industry these days. Think about the fact that they didn’t have too much to do back then so composers, music people were seen as important figures of those days. Today, everything changes fast, electric guitars are a presence of the last 70 years I think, you can not predict how the music will change and if electric guitars will still be part of the next 100 years’ music. But who knows, maybe people will still remember and kids will learn in school about Steve Vai, Joe Satriani or Andy Timmons…

What do you think?

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OK, it may sound fancy but I will explain you in just a second why I named my article “Electric guitars or the universe of sound”.

I named it this way since more than acoustic guitars, electric guitars open a world of sounds that reveal infinite possibilities. There is a lot of science in how an electric guitar sounds, in the way the sound is set by the guitar player or by the sound engineer, the sound needs to have certain mathematical level of trebles, of bass, but if you listen to those guitar heroes that you look up to, you will see that they all have their unique sound.

Electric guitars sound different because of many parameters that should be taken into consideration, from the wood type the electric guitar is made of, to the amplifier parameters and all the way to the particular way the player knows his way around music.

Even the position where the guitar strings are pinched matters when you speak about sounds of electric guitars and that is why all those guitar heroes sound that different.

I picture electric guitars sounding in a “visual” manner

I am a visually oriented person and I “see” everything, including sounds. Maybe it is difficult for you to understand what I mean, but picture this: let’s take a 70’s electric guitar player, let’s say Jimi Hendrix and his astonishing way of playing the guitar (by the way, I am not a big fan of Hendrix, but I do appreciate his perspective of the music) and Joe Satriani, a real God of electric guitars, in my opinion.

When I picture the sound of Jimi Hendrix’ electric guitar I see it as a tape running, flying, twisting in the air, but as a colored tape, I mean like a 2 faces limited thing, in one word…a tape. That, in my opinion defines the whole period of the 70’s from the point of view of how electric guitars sound.

When I think about modern electric guitars, when I think about how Joe Satriani makes his futuristic sounds, I see an infinite, fluid, conic shape, with a small base, some kind of a 3D tube that narrows to the infinite end, reflecting a silver-like light. This is the way modern electric guitars sound. The whole music of Joe Satriani sounds like surfing with the aliens, if you know what I mean…

I don’t know if you agree or not, this is my way of seeing the music, this is the way electric guitars make me feel and imagine music. Various electric guitar players give me different feelings, different impressions.

For example, if I think about Slash of Guns N’ Roses I think of him as having an incredible equilibrium, the way a cat has. Remember, a cat is said to always fall on her feet; this is what Slash makes me feel. Each time I see him playing his Gibson I have a damned ugly feeling that, look, now he’s going to miss a note, see…now, not yet…aaa, he’s going to miss the next one..But you know something? Despite this feeling of insecurity that Slash always throws on me, he always manages to put there as many notes as needed in order to make the song work. Without being one of the best electric guitar players around, Slash has other qualities, in my opinion. He is very melodic and has his unique style of playing. But that will probably be the subject of an other post, sometimes in the near future.

I could speak like this for hours about electric guitars, about how they sound and how various guitar heroes play and how they sound, but for the moment I stop here hoping that you have understood why I named my post “Electric guitars or the universe of sound”…

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